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UNTAMED opens with “Serenade for Strings,” set to a Tchaikovsky score. Choreographed by Wonderbound’s artistic director Garret Ammon. “It’s a contemporary piece but still quite classically based, and it’s been delightful for the dancers to have a chance at learning different dance to this music,” said Smuin artistic director Celia Fushille. “I love what Garret did with the piece, and it’s so well suited to the Smuin Ballet. Garret has such fluid partnering phrases,” she adds. “Sometimes I find that contemporary choreographers will try to do something different because it’s different, and it may not feel natural for the dancer. With Garret’s piece, it’s unusual but still feels natural for the dancers. Many times during the rehearsal the dancers were just euphoric.”.

As an openly gay professor at a large, public university in the Midwest, I have witnessed many students come out, Whether in my office, by email or even through class essays, students make these proclamations sometimes through anxious tears but always with a sort of existential relief and a new sense of freedom, “Coming out,” we’ve been trained, is one of the most important parts of a gay person’s life — something he or she gets to do on his or her own terms, when ready, I’ve seen ballet dance shoes nickel free hook earrings firsthand the benefits of this act: the self-affirmation, the discovery of a new community and the broadening of worldviews for friends and families..

But what would a musical be without music?  Surprisingly in this lively revue, all of it is supplied by two top-drawer pianists, Katie Coleman and Lauren F. Bevilacqua, who pound the ivories with ferocity and verve at two dueling pianos facing each other right in front of the set. Pat Tyler’s wonderful costumes add color and excitement to the production, though it would have been nice for the women’s usher outfits to fit a bit more flatteringly on top. Nikolaj Sorensen lends his talents as technical director, and Jeff Grafton’s sound along with Edward Hunter’s lighting work seamlessly.

Performances are March 8-10 ballet dance shoes nickel free hook earrings at Yerba Buena Center for the Arts, San Francisco; $40-$65; sfperformances.org, Also on the dance horizon, San Francisco Ballet revives Helgi Tomasson’s acclaimed adaptation of “The Sleeping Beauty” (Jan, 23-Feb, 4) and reprises Liam Scarlett’s controversial hit “Frankenstein,” and presents a two-part Festival of New Works (April 20-May 6), www.sfballet.org, Renowned Bay Area choreographer Alonzo King celebrates his 20 years of collaborating with Zakir Hussain by presenting another new work developed with the Indian tabla master and world music icon, April 5-15 at Yerba Buena Center for the Arts, San Francisco (tickets go on sale Feb, 1, www.linesballet.org..

Actors not involved in a scene sit on the side with one of them following the script just in case someone needs a line — two called out for lines when I was there. It was fascinating to watch, especially Nick Medina, who as Horatio and Ophelia, often had to shift quickly back and forth changing costume pieces and physicality in a second. This wildly ambitious and highly successful “Hamlet” begins the company’s 25th anniversary, where “Hamlet” will play in repertory with four other productions through Jan. 29, 2017. For more information, call 510-841-6500 or go to www.shotgunplayers.org.