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Easystreet, they say, was a “party in a box.”. Easystreet was feathers and fishnets, sequins and spandex, fog machines and face-painting and glitter. Gobs and gobs of glitter. Easystreet was “Italo-disco meets techno meets house with pop sensibility,” said one fan, and “just wild passion — all your dreams combined into this wild, crazy experience,” said another. Easystreet was Velvet Chang and Michael Blitzen, aka Chelsea Faith Dolan and Travis Hough — two among the 36 who perished at the Ghost Ship warehouse fire in Oakland nearly a year ago.

Of course, some may be so dazzled by the show’s eye candy that little else matters, The dancing anthills, the swaying grassland headdresses, the stilt-walking giraffes and the 13-foot-long elephant are endlessly enchanting as they cavort up and down ballet flats reddit the aisles, One caveat: While I am a huge believer in introducing children to the magic of the theater, toddlers might be too young, Short attention spans may well melt down before the final curtain, so 6 and older is a safer bet, Also, make sure to get to the theater early, as lines for the restroom are long, Packing a snack will save you from having to choose between the potty and the concessions at intermission, And be to pick up one of the booster cushions the theater offers so that your little theater-goer can drink in the lavish visuals as well as any grown-up..

Despite all that, Reeder points out that “Bus Barn has never been in debt — and this is our 17th season.”. Likely the most innovative approach to easing theater money problems is the one taken by Hillbarn Theatre’s Lee Foster. With two master’s degrees (business administration and fine arts) under her belt, Foster says that money management is “what I’m best at.”. Hillbarn also has a leg up on many other theater companies, because a few years ago “We paid off the mortgage on our building. It’s a wonderful feeling not to have that hanging over your head.”.

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The hidden orchestra lead by Rick Reynolds keeps the score moving along nicely and also provides a spirited overture. (Both Reynolds and Tracy Chiappone are given credit in the program for musical direction.). Kate Schroeder does a bang-up job of creating lovely ladies’ costumes from the 1950s, replete with lots of crinolines, gingham and matching sweater sets. Both Don Coluzzi’s lighting and Andrew Kang’s sound work effectively. The one glaring glitch is the rather barren, ordinary set created by the usually excellent Kuo-Hao Lo. It was a big letdown to see only two or three set pieces pushed on and off stage to emulate a night club, the Ed Sullivan Show, the lobby of the inn and other locations. And the limp white curtain onstage looks more like a temporary placeholder rather than the finished product. Perhaps this set is all the more noticeable because Hillbarn has created some top-notch ones in recent years.